Director: Aleksandr Sokurov
Country: Russia
Award: none
Movement: none
Russian Ark (Russian: Русский ковчег, romanized: Russkij kovcheg) is a 2002 experimental historical drama film directed by Alexander Sokurov. The plot follows an unnamed narrator, who wanders through the Winter Palace in Saint Petersburg, and implies that he died in some horrible accident and is a ghost drifting through. In each room, he encounters various real and fictional people from various periods in the city's 300-year history. He is accompanied by "the European", who represents the Marquis de Custine, a 19th-century French traveler. An international co-production between Russia and Germany, Russian Ark was shot entirely in the Winter Palace of the Russian State Hermitage Museum on 23 December 2001, using a one-take single 87-minute Steadicam sequence shot. It extensively uses the fourth wall device, but repeatedly broken and re-erected. At times, the narrator and the companion interact with the other performers, while at other times they pass unnoticed. The film was entered into the 2002 Cannes Film Festival.[4] Russian Ark is widely regarded as one of the greatest Russian films of all time. On a winter's day, a small party of men and women arrive by horse-drawn carriage to a minor side entrance of the Winter Palace, dressed in the style of the early 19th century to attend a ball hosted by the Emperor Alexander I. The narrator (whose point of view is always in first-person) meets another spectral but visible outsider, "the European", and follows him through numerous rooms of the palace. "The European", a 19th-century French diplomat who appears to be the Marquis de Custine, has nothing but contempt for Russians; he tells the narrator that they are unable to create or appreciate beauty as "Europeans" do, as demonstrated by the European treasures around him. Each room manifests a different period of Russian history, although the periods are not in chronological order. Featured are Peter the Great harassing and striking one of his generals; a spectacular presentation of operas and plays in the era of Catherine the Great; an imperial audience in which Tsar Nicholas I is offered a formal apology by the Shah of Persia, represented by his grandson Khosrow Mirza, for the death of ambassador Alexander Griboyedov in 1829; the idyllic family life of Tsar Nicholas II's children; the ceremonial changing of the various regiments of the Imperial Guard; contemporary tourists visiting the palace; the museum's director whispering the need to make repairs during the rule of Joseph Stalin; and a desperate Leningrader making his own coffin during the 900-day siege of the city during World War II. A grand ball follows, held in the Nicholas Hall, with many of the participants in spectacular period costume and a full orchestra conducted by Valery Gergiev featuring music by Mikhail Glinka, then a long final exit with a crowd down the grand staircase. The European tells the narrator that he belongs here, in the world of 1913 where everything is still beautiful and elegant, and does not want to go any further. The narrator then walks backwards out the hallway and sees many people from different time periods exiting the building together. As he watches them, the narrator quietly departs the procession, leaves the building through a side door and looks out upon the River Neva.
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